Hit Man

Hit Man by Richard Linklater is a solid watch, blending a deliberate pace with engaging character work. The first act feels like it lingers a little too long, but by the time the final act rolls around, you realize it was all intentional. That slower setup creates a nice payoff later, making the transitions between acts smooth and well-timed. It’s clear Linklater knew exactly how much breathing room to give the story, even if it left me wishing for a bit more energy upfront. Glen Powell and Adria Arjona carry the film with their performances, delivering exactly what their roles demand without overdoing it. Their character arcs extend nicely into the second act, which keeps things interesting and makes you care about what happens next. The plot itself isn’t groundbreaking and leans on some predictability, but it seems like Linklater aimed to keep things simple, possibly to avoid overwhelming the audience. Still, a touch more depth in the story wouldn’t have hurt. Visually and musically, the film doesn’t go above and beyond, but it also doesn’t drop the ball. The cinematography and score do their job without overshadowing the narrative. Overall, Hit Man may not wow you on every front, but it’s an enjoyable and well-crafted movie that knows its strengths and sticks to them. It’s the kind of film where the characters and pacing shine more than the visuals or complexity, making it a worthwhile experience.