Star Trek: Section 31

Decent sets and quality special effects, not to mention a capable actress, in the form of Michelle Yeoh, can't make up for the glaring shortcomings in this latest Trek offering. The core script of "Section 31" has been done a thousand times before, which is not, in and of of itself, unforgivable. Regrettably, though, on this occasion, the story lacks direction, a semblance of credibility and simple logic. Yes, sci fi is fantasy, you can go wild but the premise still needs to be believable, if the audience is to invest in it. In this instance, I found little to compel me to invest in the tale being told and the characterisations. The latter felt shallow, forcing the actors to over act, in an attempt to compensate, which only made matters worse. A dash of the usual woke nonsense, did nothing to further enamour me, to this already uninspiring production. More than that though, the dark, cynical overtones of "Section 31" didn't feel like Roddenberry's vision of "Star Trek". A vision of a technologically but also humanistic-ally enlightened future, filled with scientific and academic discovery, that overcomes all adversity In summary, I wont beat about the bush, "Section 31" is, in my estimation, "awful". It's not just the uninspiring story, populated by anaemic characterisations. No, more than that, it simply doesn't feel like "Star Trek". Enough said.